K7 Media, has bolstered its Asia Pacific offering with specialist media consultant, Victoria de Kerdrel joining the team at the start of 2020.

International distributor to get exclusive early access to factual content.

Hybrid history series Inside the Tower of London, from all3media group’s Lion Television, is now set to air across the US through a new deal with the Smithsonian Channel.

The deals include My Paranormal Nightmare, Season 2 of Paranormal 911, and also Season 2 of Haunted Hospitals.

Together they have over 25 years of experience at 12 Yard, Mannes having joined in 2005, while Gaskell has spent 13 years there during two separate stints.

Studio 100 Media presents new licensees for the spanking brand new 100% Wolf just in time for the International Toy Fair.

Licensed titles include docs on Harvey Weinstein and John Lennon featured in new CrimeBay.

To date, ZTE has obtained 35 commercial 5G contracts in major markets, such as Europe, Asia Pacific, Middle East and Africa (MEA).

A unique concept, A Year on Planet Earth will feature a story arc across the season, drawing viewers in over a number of episodes and unfolding like a drama.

Kew Media Distribution, has signed substantial deals ahead of NATPE Miami where it will also be showcasing a number of outstanding drama, non-fiction and event series.

Prior to Cactus, Skinner was Head of Development at Rob Brydon’s production company, Jones The Film.

The APAC Effies is the Asia Pacific region’s preeminent award for marketing effectiveness. 

Globally recognized award underlines how Dejero exponentially improves flexibility in location coverage for newsgathering and live events crews.

Brindley is currently the BBC’s Head of commissioning for Popular Factual and Factual Entertainment, overseeing commissions for BBC One, Two and Three, totalling over 350 hours of content a year.

An expert in the field of non-scripted content production, commissioning and co-productions, Rachel was at A+E Networks UK for ten years, joining as Co-Production & Acquisitions Manager in 2007.

Atlas has over 14 years of experience in creating and executing integrated digital and social media campaigns.

The kid’s TV business is becoming ever-more challenging with education producers battling the effects of fragmentation and changing international market demand, EBS’s (Korea Educational Broadcasting System) Senior Executive Producer Dr Hyunsook Chung tells K. Dass how she narrates her education programmes for kids.

Leading analyst house across converging media says as companies increasingly bundle and aggregate content and services, they will likely respond positively to vendors with technology that addresses the myriad challenges they face. Edward Barton, Ovum’s Practice Leader for TV tells K. Dass his observation of current video streaming strategies in the market.

U.S. video streaming giant shops in Asia for multiple huge titles, according to Joanne Waage, Viki’s SVP, Partnership and Programming. She tells K. Dass The Legend of the Blue Sea was aired in the U.S. minutes after its debut in Korea with English subtitles.

U.S. video group, Hulu launched its service in Japan in September 2011. Nippon TV acquired Hulu’s Japan business in April 2014. The unit now has 1.5 million subscribers, paying a monthly fee of USD$8 or JPY933 plus taxes. It boasts a library of 19,000 films, dramas, anime and shorts or enjoys 35,000 hours of content. Kazufumi Nagasawa,