The CEO of Global Agency Izzet Pinto sais that SBS is one of the biggest entertainment brands in Asia and we are extremely proud to be their partner in this special collaboration.

Under the agreement, SPT will handle worldwide distribution of all television and streaming rights for more than 40 high-profile Revolution films.

Global Agency will also be the distributor of Turkish remakes of these projects worldwide.

Four-day workshop includes more than 30 participants from India, Philippines, Indonesia, Vietnam, and Thailand.

Original production part of multi-year content development and distribution partnership.

Offering an elevated hallyu experience with Korean blockbusters
for the 2nd year supporting kiff to promote Korean movies.

Partnership will enable operators to speed up deployment of premium content services on Android TV.

Privileged access to premium entertainment content from
GMM MUSIC and GMM 25 for Viu Thailand users.

Celebrating altruism and recognising the selfless efforts of individuals amongst us.

The new look launched in conjunction with the new series of Gordon Ramsay’s 24 Hours to Hell and Back.

Brindley is currently the BBC’s Head of commissioning for Popular Factual and Factual Entertainment, overseeing commissions for BBC One, Two and Three, totalling over 350 hours of content a year.

An expert in the field of non-scripted content production, commissioning and co-productions, Rachel was at A+E Networks UK for ten years, joining as Co-Production & Acquisitions Manager in 2007.

Atlas has over 14 years of experience in creating and executing integrated digital and social media campaigns.

The kid’s TV business is becoming ever-more challenging with education producers battling the effects of fragmentation and changing international market demand, EBS’s (Korea Educational Broadcasting System) Senior Executive Producer Dr Hyunsook Chung tells K. Dass how she narrates her education programmes for kids.

Leading analyst house across converging media says as companies increasingly bundle and aggregate content and services, they will likely respond positively to vendors with technology that addresses the myriad challenges they face. Edward Barton, Ovum’s Practice Leader for TV tells K. Dass his observation of current video streaming strategies in the market.

U.S. video streaming giant shops in Asia for multiple huge titles, according to Joanne Waage, Viki’s SVP, Partnership and Programming. She tells K. Dass The Legend of the Blue Sea was aired in the U.S. minutes after its debut in Korea with English subtitles.

U.S. video group, Hulu launched its service in Japan in September 2011. Nippon TV acquired Hulu’s Japan business in April 2014. The unit now has 1.5 million subscribers, paying a monthly fee of USD$8 or JPY933 plus taxes. It boasts a library of 19,000 films, dramas, anime and shorts or enjoys 35,000 hours of content. Kazufumi Nagasawa,

Israel’s ‘big brother’ of broadcasting, Keshet Media Group has made waves globally and now it’s ready to dominate Asia. On average, seven out of top 10 most watched shows in Israel are aired by Keshet Broadcasting. A master of many genres, some of its globally popular shows include Prisoners Of War, Boom!, The A Word, Rising Star, Master Class, and to Who’s On Top?