Keshet International (KI) has made two key hires to boost the distribution arm of its business ahead of MIPCOM 2023, appointing international sales and co-production executive Elena Antonini to the role of Vice President of Sales and sales executive Adi Brukner to the position of Sales Manager. Based in Buenos Aires, Antonini is taking on responsibility for leading KI's sales of formats, scripted and unscripted finished tape across Latin America, the Hispanic-speaking networks in the US, as … [Read more...] about Keshet International appoints Elena Antonini as Vice President of Sales in Iberia & Latam
Kelly Wright
Keshet International acquires two more docs from Flicker Productions
Keshet International (KI) has picked up the international distribution rights to two timely documentaries commissioned for linear TV channels in the UK: Wayne Couzens: Killer in Plain Sight and Ellie Simmonds: My Secret Family, both produced by Flicker Productions for Channel 5 and ITV1 respectively. Kelly Wright, KI’s MD of Distribution says, “As a team, we are excited to have secured two additional high-quality documentaries from Flicker for our growing factual catalogue of English-language … [Read more...] about Keshet International acquires two more docs from Flicker Productions
Keshet International completes raft of scripted sales in CEE
Keshet International (KI) has inked multiple deals for scripted formats and finished tape in the CEE region, including its first format license for Duo Productions’ stylish 8x60’ relationship thriller, Too Much Love (L’homme qui aimait trop). The global content producer and distributor has sold the format rights to TV JOJ, one of the leading free-to-air broadcasters in Slovakia. Originally created by prolific Canadian writing duo Michel d'Astous and … [Read more...] about Keshet International completes raft of scripted sales in CEE
Content is king: What media executives have to say on what’s hot for 2022 (Part one)
Asia’s content space has proven to be resilient in the past year when productions have been halted due to the ongoing pandemic. This year, we’ve seen multiple co-production deals being inked and hot new Original productions being launched, which says a lot about Asia’s thriving content space. But just how well did 2021 look for content and what’s in store for 2022? We’ve interviewed 10 media companies across studios, OTT platforms, and broadcasters to get their take on what the past year has … [Read more...] about Content is king: What media executives have to say on what’s hot for 2022 (Part one)