Beijing – Blackmagic Design announced that the latest television commercial for Mitsubishi’s hybrid car, the Outlander PHEV, was graded using DaVinci Resolve by Tokyo based production and post production company Helmet Inc., founded by Horibe Toshi.
Helmet also used Blackmagic Design’s SmartScope Duo monitor and UltraStudio 4K capture and playback device to complete the commercial, which is airing throughout Japan. .
Outlander PHEV is the latest crossover SUV from Mitsubishi and is the world’s first 4WD plug-in hybrid SUV. Helmet, a boutique production company, showed the power and elegance of the new PHEV by featuring the SUV driving through the majestic landscapes of New Zealand.
“The goal for this commercial was to show the audience the coolness and power of the car. People have the impression that a hybrid car is a family or city car. However, we wanted to emphasise that the hybrid car is not just for city use by showing it driving around rough mountain roads. We shot in New Zealand for three weeks, and we shot in 4K or 5K so that we could resize in post production,” explained Takashi Chiba, a cinematographer at Helmet, who shot and color graded the commercial.
“I took a lot of care to make the car look really cool,” said Chiba. Many car commercials for family or city use tend to have a soft and less contrast look, however, with this commercial Helmet tried to show a sharper image of the car. “I tried to create a look which is sharper and more contrast look so that the car looked powerful and classy.”
He continued, “When we went back to our hotel after each day’s shooting, we picked the best takes. We then applied gamma for the cameras we used for shooting and exported as ProRes 422 LT for offline. We did the offline edit when we came back to Japan using XML files to pass around data with Resolve.”
When grading the commercial on DaVinci Resolve, Chiba had to reproduce the body colour of the car and the natural colours in the nature. “I used Power Windows to make masks and added more contrast to the pale blue colour of the body. Also I used Resolve’s sharpen tool to make the edge of the car more obvious, which gave a cooler look to the car. Also, since some of shots were done on cloudy days, the backlit shots tended to make the colour green a bit too dark, so we used Resolve’s curves functions to bring some green back.”
Chiba and his crew also used an UltraStudio 4K for monitoring DaVinci Resolve’s output, as well as a SmartScope Duo for waveform monitoring in their Tokyo offices. And they use a wide range of Blackmagic products, such as Audio Monitor, Teranex 2D Processor and Mini Converters, in their day to day work.
“Blackmagic products have a consistency in their design, so they look very nice when mounted together in a rack. We sometimes bring Blackmagic equipment in a fly away kit to use on set. Helmet Inc., owns its own equipment, allowing us to do everything in house, such as planning, directing, shooting and editing. Resolve is a powerful tool for jobs which require flexibility and speed, and we are now planning to do more on set grading with Resolve,” concluded Chiba.
