With everyone producing some sort of content today – even user-generated content (UGC), some industry executives have predicted the bubble will soon burst with an oversupply of irrelevant content. Sony Pictures International, on the other hand, is offering different strokes to different folks in the Asia-Pacific region with its potpourri of shows such as Imaginary Mary (13x 30), Timeless (16 x 60) and The Halcyon (8 x 60) across all platforms. Ken Lo, SVP of Sony’s International Distribution sees a bullish market in the region and attributes it to the high quality of the content that Sony takes pride in producing over the years. K. Dass reports from MIPCOM 2016.
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So as the next year unfolds, maybe some of these global giants might make their TV moves, overhauling the entire industry as they do. You might see some of them sniffing around the next MIP, looking for some shiny television baubles to hang on to their own, far more lucrative industries.… Read More
The red dot on the global map is the regional hub of many international broadcasters and production houses. The nation itself has gone beyond producing content for television to exploring transmedia storytelling and new formats, extending the TV experience to multiple platforms.
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Cultural similarities between Europe and Asia might not
immediately spring to mind but it’s a curious aspect of
the global television trade that such differences don’t
always preclude co-production or programme sales.
Amanda Groom managing director of the Bridge delivers
a fast track to Asian advantage, delivering global digital
and traditional media access and implementation across
She has already successfully built and delivered innovative
Pan-Asian / UK / US global co-production models for
NGW, NGCI, DNI, Scripps Interactive Networks (including
Cooking Channel and Food Network, EMEA) and, in the
UK, with Channel 4 and S4C. K. Dass reports.… Read More
It’s difficult to believe the unpredictable circumstances that producers go through in pursuit of their passion for a factual encounter. Joel Gershon, a New Yorker who ventured into Cambodia in search of a possible factual story got more out of it. The
young journal, producer and lecturer eventually spent 5 years fi lming and producing
poverty stricken kids who took up circus to stay clean from drugs and crimes. His
tagline: ‘From the rice field to the big time’ was literally what they have done. Joel tells
K. Dass his big screen ambition when the funding comes in.… Read More
The roaring intersection within the international and Asian media players has caused an interchange between the markets with opportunities becoming expeditiously viable in the industry. Thanussha Priyah reports.
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In the crowded content market, in order to secure
the best shows, distributors are pumping money into
projects at an ever earlier stage. But is the increased
risk-taking paying off? Several industry experts share
their sentiments with K. Dass.… Read More
Reed MIDEM, the organiser of international television industry events MIPTV and MIPCOM, has unveiled its’ plans
to launch a new summit in China with the presence of distinguished media players. Thanussha Priyah reports.… Read More
The Asian film and television industry has seen strong growth, rising prominence, and international recognition of its talent and content. The newly-formed Singapore’s Info-communications Media Development Authority (IMDA) was established to keep pace with the growth in Asia and the rest of the world, further harnessing the opportunities arising from media convergence to spur new innovations in the media technology. Reputations are hard won and easily lost in the business world, yet many would argue that IMDA’s CEO Gabriel Lim has already achieved quasi-legendary status. Gabriel took over as Chief of MDA in 2015. By the end of 2016, he has amicably merged the info-communications and media arms of the country. IMDA’s Chief, Gabriel Lim, spells out his mantra for the industry as he tells K. Dass why the convergence was crucial and the opportunities ahead.
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Apollo Awards 2017 offers 21 categories this year, including direction, cinematography, editing, art direction, music composition, sound design, colour grading, visual effects, motion graphics and animation.
In addition, 1 new category - Immersive Experience (Virtual Reality Experience) has been introduced this year.
Advertising agencies, production, post production house and broadcasters are all invited to submit entries in these categories
Click here for a full description of the categories.